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Adagio I

$575.00

Antonio del Moral’s Adagio I is a captivating abstract painting that is rich in color and texture. The painting features a blend of maroon, black, and yellow hues, with gold leaf accents adding a touch of shimmer and depth to the piece

  • 25.5 X 27.5 in-unframed
  • Year: 2001 By Antonio del Moral
  • Technique: Acrylic on paper
  • Impressionism

The painting measures 20 x 7 inches and will be shipped in a standard 37 x 24 x 27-inch package for safe delivery.

Antonio Del Moral sign

Description

Antonio del Moral’s Adagio I is a captivating abstract painting that is rich in color and texture. The painting features a blend of maroon, black, and yellow hues, with gold leaf accents adding a touch of shimmer and depth to the piece. The colors appear to swirl and blend together, creating a sense of movement and energy that draws the viewer in. The brushstrokes are loose and expressive, giving the painting a sense of spontaneity and life. The layers of color and texture add depth and complexity to the piece as if the painting has a life of its own. The gold leaf adds a luxurious touch, elevating the painting and adding a sense of opulence. Adagio I is a painting that invites the viewer to engage with it on a visceral level, allowing them to get lost in the swirling colors and textures. The painting is abstract and open to interpretation, allowing each viewer to find their own meaning and emotion in the piece. Whether it is seen as a representation of movement and energy or a more meditative and contemplative piece, Adagio I is a stunning work of art that showcases Antonio del Moral’s mastery of color, texture, and form.

Additional information

Dimensions 3 × 33 × 42 in

Brand

Antonio Del Moral

For over forty years Antonio has continued to prolifically paint in his private art studio. His works include various mediums, including watercolor, oil, and acrylic. Antonio’s painting evolved and developed through several phases in practicing his craft. Initially exploring his Cuban roots and later on evolving into other movements including cubism, abstract, realism, and finally impressionism. He concedes that each phase has assisted him in nurturing his unique artistic technique.
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